A guest blog post by Jake Hope (@jake_hope), Diverse Voices chairing judge and Reading Development and Book Consultant. Jake talks about the importance of the Diverse Voices Top 50 Book List and why this should lead to discussion about how these books make us feel.
People can react and respond to the same situation in hugely different ways. Sometimes a fear of things that are different can lead us to feel cautious and apprehensive, at other points that very difference can be exciting and invigorating, showing us different ways to think and feel. One of the exhilarating things about reading is that it can offer us a risk free way to inhabit other minds and to encounter worlds that are different to our own.
By exploring not only what keeps people apart, but also what brings them together, the Diverse Voices list does this with great success. The titles for teenagers are some of the most exciting. As some have commented, they do not offer neatly packaged morals, but rather raise questions and encourage readers to think around subjects, considering what it means to be a part of the rich and varied communities and cultures that make up our world.
Many of these titles have provoked discussion. Which of them have you read and what are your thoughts and feelings on these? There are novels like Malorie Blackman’s ‘Noughts and Crosses’ which was criticised when it was first published as some felt that society had changed and moved on from the split communities that were shown in it. Looking at modern news do you think that claim is true even now, over ten years after the book was published?
Joe Sacco’s ‘Palestine’ offers a unique insight into the situation in the Middle East and shows some of the difficulties in objective reporting on conflict. The story is told as a graphic novel, much like Shaun Tan’s excellent, ‘The Arrival’ which looks at migration and what it means to leave home and loved ones behind. These issues are further explored in the lyrical novel, ‘The Weight of Water’ by Sarah Crossan when Kasienka leaves her home in Poland for England. They are touched on again, though in a very different way in Benjamin Zephaniah’s ‘Refugee Boy’.
Some of the books like ‘Apache’ have attracted criticism for the way they show cultures with claims they portray negative stereotypes of Native Americans as savages. Is Siki savage, or are her actions brave and courageous? These questions are not always easy to answer and some of the thinking around them may not always be comfortable. That is certainly true of Philip Ridley’s play ‘Moonfleece’, which looks at the way fear can manifest itself through politics and the chilling consequences this can have. This play made the headlines in 2010 when it was refused a performance space by Dudley Council, can you think why the council might have chosen to do this? Do you think their decision was a fair one?
Growing up as part of a community and culture can mean we face expectations because of gender – definitely the case in titles like Marjane Satrapi’s ‘Persepolis’ and Deborah Ellis’s novel, ‘The Breadwinner’. Likewise faith can lead to expectations upon us and Bali Rai’s ‘(Un)arranged Marriage’ looks at this. Language itself can cause tensions, and the title of ‘Half-Caste’ a collection of thought-provoking poetry by John Agard is as high impact as the poetry contained within. This idea of language and difference is used in Steve Tasane’s spine-chilling first novel, ‘Blood Donors’ which is a horror novel with a twist where there’s a secret lurking in basement of a block of flats. Secrets can sometimes cause a great deal of damage for the people who hold them, this is certainly the case for Mira and her family in Sita Brahmachari’s ‘Artichoke Hearts’.
There are many complexities and sensitivities around some of these books, but all are useful in prompting us to think about our relationship with the world around us. Whatever some have said about these, we’d welcome your views and your voice as part of the dialogue and diversity of this list and wonder which of these you have read and which appeal to you most?
So many of our thoughts are influenced by the times we live in. Sometimes it can be easy to think the present moment is a pinnacle of human thought and achievement and that the past has been a sequence leading up to this. It can be useful to try to think and see beyond the here and now and the experiences that we’ve amassed to better steer into the future. This can lead to more enlightened thinking and this is where the ‘Diverse Voices’ list is so useful. It offers us a snapshot of where we are at the present and some of the fight that has been entailed in reaching this, but even the reasons behind its production shows that there remains work to be done in this area.
One of the most exciting things about any list of recommended reads is the opportunities it offers for discussion, debate and spring boarding into wider reading and understanding. In the case of the 50 books that make up the ‘Diverse Voices’ list, these prompt thinking around children’s literature and publishing, encouraging dialogue around some of the challenges it faces and must reflect in order to respond adequately to the changing context of today’s society. In this way the list is political and embraces education and societal change, but alongside that, it is hugely important not to lose sight of the fact it is, primarily, reader-focused and that the titles the list is made up from are first and foremost great stories populated by convincing characters from across the globe, that represent a wide variety of countries, backgrounds and cultures.
Diversity is not an exclusive term that applies only to a few, but rather is inclusive and embraces each and every one of us. All of these books has value and a cultural richness individually, but collectively as a whole they embrace a range of ideas and world views. The collection’s overall worth lies as much in the thought and discussion of its audience as it does in its curation and we look forward to seeing and hearing how it is used and received.
‘Diverse Voices’ is an apt name for a promotion that highlights books, reading and publishing and also encourages active participation in the critical, reader-led debate that surrounds this. Any story can embrace a wide range of different readings and interpretations and where one, we would encourage you to read the titles debated and add your own voice and views to the discussions.
Jake